Instead, it begins with the 1989 Soul Train Awards where Whitney Houston and Bobby Brown first meet.
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This is problematic on many levels: As a biopic, it robs Houston of her own context as an artist and individual, and cinematically, it places Houston in a secondary role to Brown, who enjoys more attention from the film.Īlthough the biopic is titled “Whitney,” the movie doesn’t begin with Houston as a young girl, or even as a budding vocalist. This is where I find a lot of issues with Bassett’s directing choices when making “Whitney.” One of the most overwhelming responses was that for a story about Houston, we see Houston’s story strictly through the context of her relationship with her ex-husband, performer Bobby Brown. It’s known that Houston struggled with relationship issues and drug use, but these are just contextual factors in the life of a woman who was so much more than that. Houston brought intimacy and clarity to her performances, making her the most-awarded female artist of all time. Houston, who died in 2012, was more than just an earth-shattering voice, she was a beacon to black women, following in the steps of women like Chaka Khan and continuing to pave to road for female vocalists of today such as Beyoncé and Mariah Carey. Twitter was ablaze with comments, both positive and negative, using the #Whitney hashtag, which trended surrounding the film’s release. Viewers tuned in to see director Angela Bassett’s take on the life and times of Houston, and many fans were less than impressed with what they saw. On Saturday, Lifetime premiered “Whitney,” a biopic of iconic and critically acclaimed female vocalist Whitney Houston. Yaya DaCosta and Arlen Escarpeta star as Whitney Houston and Bobby Brown
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